Education
2023 - 2024
MA Royal College of Art
Textile
2013 - 2016
BA Yonsei University
International Studies (First Class Honor)
Exhibition
April, 2024
WE ARE ROOTING FOR YOU, Hockney Gallery, London, UK
March, 2024
BODY AS VESSEL, Four Corners, London, UK
February, 2024
SB ART, SB Art Gallery, London, UK
January, 2024
GRADIENT, The Holy Art Gallery, London, UK
Award
March, 2023
The Deputy Vice Chancellor’s International Bursary,
Royal College of Art
August, 2016
UIC Creative Writing Certificate, Yonsei University
February, 2015
Yonsei 130th Anniversary Essay Excellence Award,
Yonsei University
August, 2012
Certificate of Award for EXPO 2012
UNESCO Essay Contest,
UNESCO
Artist Bio
Nayeon Han is a South Korean artist who expands her artmaking through academia by finding a way to transcend her artform from the typical textile design into fine art. Her creative process involves experimenting with colors and materials through deconstruction and recombination.
Nayeon holds a Bachelor’s degree in International Studies, with first-class honors from Yonsei University in South Korea. Currently, she is pursuing a Master degree in Textiles at the Royal College of Art.
She has been awarded The Deputy Vice Chancellor’s International Bursary at the Royal College of Art. Her work has been recently showcased as a part of a group exhibition in London, “GRADIENT”, “SB ART”, “BODY AS VESSEL” and “WE ARE ROOTING FOR YOU” featuring top artists from around the globe.
Artist Statement
Through her work, Nayeon challenges the nature of time and transforms it into something tangible that she can play with and reinterpret her memories.
Nayeon asks the question, “What is the value of reinterpreting an individual's memory from the present point of view?” For Nayeon, the meaning of an individual's memory seems to change depending on how one lives in the present. She thinks that the past can be seen as a memory reinterpreted by a person living in the present. She believes that it is the individual and not other conditions that determines him or her. She thinks that there seems to be a reason why each person has different memories, even if we have the same experience. She believes our past depends on our memories.
Nayeon raises the question, “If we reinterpret and remember in a way that helps us, won't we only have a good past?” In this way, she thinks we would not find ourselves stuck in traumatic experiences. She believes that any past, both good and bad, will be a driving force for growth if we reinterpret and remember it in such a way that it can become a necessary nutrient for each of us living in the present. She hopes that her works will serve as an opportunity for the viewers to look back on their past and possibly change their perspective on life.